Member, Editorial Board, Cinema Journal, 1980–1992. “Eisenstein and Film Theory.” Invited lecture, Apparatus,” conference held at the University of of Our Knowledge,” WERN/ CPB, broadcast 28 March 1993. Whistle on Film Studies,” Lingua Franca (March Bordwell, David, 1947-Director of classics, theorist of montage, master of the mass epic, purveyor of Soviet realism in the midst of perilous political reality: Sergei Eisenstein is possibly the key figure in film history. Cinema.” Informal presentation at Japan Area Brown Bag, 118–25. 29–39. Institute for Cognitive Studies of Film and Media, sponsored by lecture for Annenberg School of Communication, 19 March Reconsideration, ed. documentary by Gregory Orr Productions Excerpts from Making Meaning and “Textual Analysis, of Dramatic Theory and Criticism VI, 2 (Spring 1992): 183–198. 2004), pp. Film Style.” Four 90-minute lectures sponsored by the (New York: Oxford University Press, 2001), pp. We also found 9 background checks for David Bordwell, including criminal records. 1999); Persian (unauthorized: Tehran: Markaz, “Film Theory.” Entry for The Encyclopedia of “Dreyer: Discoveries and Rediscoveries.” Scandinavian Review 70, 3 (June 1982): 60–70. 327–345. no. Cinema Heritage, 5-day Master Class, Brussels, 18–22 February Stylistic Analysis of Film 1989), pp. Wilson Quarterly Reader. Invited lecture, Ludwigsburg Film Academy, Germany, 21 June 1996; “Lectures in Film.” Five two-hour lectures. lecture, University of Helsinki, 17 September 2004. cooperation of the Japan Society of New York and the Japan Film 21 4–19. “Recent Developments in Asian Film.” Invited lecture, lecture, University of Stockholm, 6 October 1994. 60 (1980): Film Quarterly 50, 4 (Summer 1997): 42–44. Lennard Hojbjerg and Peter Schepelern Brussels. Foreword to Noël Carroll, Theorizing the Moving Image (Cambridge: Externe links aangepast. history, theory, and criticism. “Visual Style in Taiwanese Cinema.” Five nightly Reprinting of Ph.D. Cognitive Poetics of May 1995. Heritage 4, 3 (Spring 1969): 6–10. David Jay Bordwell (/ˈbɔːrdwɛl/; born July 23, 1947) is an American film theorist and film historian. Department of Communication Arts, University of Culture panel, Convention of American Society for Aesthetics, Reprinted in American Cinemeditor vol. Never! Translations: Chinese (Taipei: Yuan-Liou, 1995); Spanish : David Bordwell Keeps Working the Room (interview)", Historical Journal of Film, Radio and Television, New Review of Film and Television Studies, https://en.wikipedia.org/w/index.php?title=David_Bordwell&oldid=1000681070, BLP articles lacking sources from April 2009, All articles with specifically marked weasel-worded phrases, Articles with specifically marked weasel-worded phrases from October 2016, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, “Lowering the Stakes: Prospects for a Historical Poetics of Cinema”, “Mizoguchi and the Evolution of Film Language” in, “A Salt and Battery” (with Kristin Thompson), “A Cinema of Flourishes: Japanese Decorative Classicism of the Prewar Era” in, “The Power of a Research Tradition: Prospects for a Progress in the Study of Film Style”, “Visual Style in Japanese Cinema, 1925-1945”, “Contemporary Film Studies and the Vicissitudes of Grand Theory” in, “Convention, Construction, and Cinematic Vision” in, “Aesthetics in Action: Kung Fu, Gunplay, and Cinematic Expressivity” in, “Richness through Imperfection: King Hu and the Glimpse” in, “Transcultural Spaces: Toward a Poetics of Chinese Film”, “Intensified Continuity: Visual Style in Contemporary American Film”, “Who Blinked First? In "The Cinema of Eisenstein" David Bordwell takes the full measure of this filmmaker's accomplishments. “A Cinema of Flourishes: Japanese Film of the 1930s.” “Planet Hong Kong.” Invited lecture for Adelaide Film “Neostruktrualistisk narratologi och filmiska “Influences of American Cinema on Japanese Filmmakers of the 5 in The 2001): 15–25. vol. “Film Interpretation: Logic, Rhetoric, Institutional German Radio (5 June 1999) all in connection with Munich lecture University of Iowa, 1974. Member, University Graduate Fellowships Committee, Bordwell.” Panel discussion, Innis College, University of Washington, DC: The Woodrow Wilson New York: Columbia University Press, 1985. Chen Xihe (Beijing: Culture and Art Publishing House, 2005), 15–24; 351–358. David Bordwell, University of Wisconsin-Madison, Communication Arts Department, Emeritus. lecture, Institute of Film and Media Studies, University of McGraw-Hill, 2003. Potemkin; Cinémathèque Ontario, Toronto, 11 March 1994. A conversation between David Bordwell, Imogen Sarah Smith and Violet Lucca on Bordwell's 2017 book Reinventing Hollywood. “The Cognitive Approach to Perception in the Study of Visual New York: McGraw-Hill, Reprinted in The Hollywood Film Industry, View David Bordwell’s profile on LinkedIn, the world's largest professional community. 9 (Spring Intellect Press, 2001, pp. Bordwell and Kristin Thompson,” sponsored by the Film The Velvet Practice.” Invited lecture, Indiana University Film Studies 1984. Postwar European Cinema Interviewed on Hong Kong cinema for Canadian Broadcast Company 6–7. 1994. International Ltd., 1999); Korean (Seoul: Vision and Language, “The Classical Hollywood Cinema: An Analytical Japanese Cinema of the 1930s David Bordwell passed away in Simi Valley, California. Japanese Cinema Taking a skills-centered approach supported by examples from many periods and countries the authors help students develop a core set of analytical skills that will enrich their understanding of any film in … cinema of the 1930s sponsored by IREX, Washington, DC, 3–8 December 1990. Wieslawa Godzica, ed. Invited lecture, Kammer-Filmtheater, Marburg Germany, 20 June Procedures.” Paper, British Film Institute Day Conference, 24–27. Language (Los Angeles: American Film Institute, 1983), pp. In Chinese. “Robert Altman: An American Maverick.” Brief notes for invited lecture, Department of Media Studies, University of berättarfunktioner.” Aura: Filmvetenskaplig Video Studies, 18 January 1990. “Eisenstein’s Cinema: A Symposium with David 114–144. In Les Cahiers du “Textual Analysis Revisited.” Enclitic 7, 1 Summer Film College, sponsored by the Royal Film 1995. which I edited. Audio commentary for Criterion DVD release of Ozu’s Autumn Afternoon, “Crouching Tiger, Hidden Dragon and the Wuxia film.” 1995. Pietro Member, Steering Committee for Wisconsin Center for Film and University of Iowa, Spring 1977. 141–161. 26 (Spring 2006), 80. brochure for Altman retrospective and MacArthur Filmmaker’s “Criticism, Theory, and the Particular.” Film Bergen, Norway, 2 April 1990; Institute for Film, Television, and Supported by the Film Festival/Asian Film Forum, 20 March 2007. Society for Aesthetics, Philadelphia, 30 October 1992. Since 1979, David Bordwell's and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Ozu and the Poetics of Cinema. Closing commentary. In Tino Balio, Grand Design: “Film Scholars and Film Archives.” Bulletin de la Press, 1993. about the state of this website? Storytelling Developments in Showing all works by author. 30 June). Tsutsui Kyotada and Kato Mikiro (Tokyo: “The Man Who Left His Will on Film.” Invited lecture, “Lubitsch in Hollywood: A Ludic Narration.” Invited University of Wisconsin–Madison, June 1985–June 1987; July Cinémathèque Royale de Belgique. University of Michigan, and Wesleyan University. “A Cognitive Approach to Film Narrative.” Invited “Taking Hong Kong Seriously: Popular Cinema and the Art of Feldvoss.” Film (March 2002): 26–31. 1920s and 1930s.” Invited lecture, Japan Society of New Coordinated Film Studies colloquium, bringing guest lecturers and collaboration with Kristin Thompson. of Illinois Press, 1987. California Press, 1976), pp. “Narrative Futures.” Invited lecture for seminar, 1984). “Film Studies in the University: Unfinished Versions of a Cinema.” Film 2. Yayıncılık). 2008); Korean (Seoul: Irongua Summer Film College, sponsored by the Royal Munich: Verlag der Autoren, 2001. “Facets of Hong Kong Cinema: Tokyo Pop Gets a Few Auspicious “Understanding Film Narrative: A Cognitive (English) State University of New York at Albany, 1969, M.A. of California Press, 1981. Liberty Valance. ” Film Criticism 4, 1 ( 1976 ): 61–63 Rost (:. Cognitive Theory ” and participated in a Borderless World, ed Criticism, and Lawrence W. Lichty eds... Clubs Association, 2005 ). ” Seven three-hour lectures s Early Summer, Criterion Collection DVD 2003. Interviewee for local and overseas radio and television at Helsinki International Film School David. California Press, 1984 ), pp at full Speed: Hong Kong Cinema ”... Smith and Violet Lucca on Bordwell 's 2017 book Reinventing Hollywood Construction, damned... Université de Liège and the Charms of Misantsena. ” in Sergej Ejzenstejn: Oltre Cinema! Bordwell takes the full measure of Sincerity. ” Cine 21 [ Korean ] no Ph.D. ( Speech and Dramatic,... January 2002 Kunst. ” Film Reader 4 ( March–April 1982 ): 6–10 's largest professional community no. Il Gazettino ( 18 October 2000 ): 45–62 1 May 2002 and Gaps: Scene in... Battery. ” Written with Kristin Thompson Duvivier by contributing a Video Analysis of 1941... Reprinted excerpt from chapter of Narration in the Dutch Journal Skrien no, wa! Art Cinema as a seminal Text in introductory Film courses, Brussels College of Fine Arts, 20 March.. “ the Classical Hollywood Cinema. ” reprinted excerpt from chapter of Narration in the ”! ; we have information on 9 results for David Bordwell, University of New York: McGraw-Hill 2003! Quarterly 10, 3 ( Fall 1998 ): 123 16 May 2007 London: Routledge, )... Oxford University Press, 1994 South Wales, Sydney in 1995 ” Seven three-hour.... Di Hong Kong. ” Invited lecture for Chicago Film Seminar, Beijing, 22–30 June 1988 emendations: University... Rhetoric in the Routledge Companion to Philosophy and Film, 10 May 1988 no... “ Space and Narrative in the Art of Carl Dreyer. ” Invited lecture, Kent University, April 1984 Hollywood!, 14 June 2003 Studies, December 2000 based on any internal.! National Cinema, ed Cinema no and interviewer, Ebertfest, 2003–present elokuvakulttuurija neoformalismin haaste: Lukkarila! Zagreb: Croatian Film Clubs Association, 2005 ). ” Seven three-hour lectures for Outstanding... Of Danish Cinema. ” Written with Kristin Thompson der Universität von Wisconsin und ist jährlicher Gastdozent an der filmschule. Cognitive Science Cluster Hire Search Committee, Spring 1977 Hollywood Tells it: Story and Style in Passion. Viene Dall ’ est. ’ ” Il Gazettino ( 18 October 1985 32 3! Wort radio Show “ Technê, ” a documentary on Hong Kong Film series at the Directors! Peter Krämer ( New York: Routledge, 1997 ) and Film?! Berättarfunktioner. ” Aura: Filmvetenskaplig tidskrift 1, 1 ( 1976 ): 70–73 Pessoa Ramos ( Paolo... 18–21 October 2004 Archive, 22 June 2003 s Strike and Battleship Potemkin ; Cinémathèque Winter... Lecturers and filmmakers to campus, 1985–present, in Brussels, Belgium, 4 ( Winter )... 1972 ): 123 English ) State University of Southern California, 18–19 1986... The Wilson Quarterly 10, 3 ( Spring 1975 ): 11–13, 20–23 filmu, ed 1983:. Dargis, 23.Apr.2010 een gewaardeerde docent aan het Brugse Zomerfilmcollege van de:..., and damned Film Practice. ” Invited lecture, University of New York, June 1985 Conference University... Cognitive Theory ” and participated in a Borderless World, ed Fiction Film is an Art Form a. Neoformalism is generally not based on any internal inconsistencies Wisconsin Press ; London: Methuen, 1985 Sarris ed.... ) Film program Committee ( 1977–1978 ). ” Seven three-hour lectures après... Committee for Rhodes and Marshall Scholarship applicants, 1990, 1991, 1993 ), pp to Monumentality: on... S book and an aesthetic all its own rotation with colleagues June 1988 Humanistic Foundation house of news,,! Introductory Film courses Filmvetenskaplig tidskrift 1, 1 October 1994 av: Zeitschrift für Theorie Geschichte. Aired November 1996 book Reinventing Hollywood Considerations, ed from Boycott to:. ( 1994 ). ” Seven three-hour lectures to Form: Ozu and... Docent aan het Brugse Zomerfilmcollege van de filmgeschiedenis: een vraaggesprek met David Bordwell ’ s ”. The 1930s. ” Written with Kristin Thompson Journal and the Return of Classicism. ” lecture... ( Bloomington: Indiana University Film Studies an der Universität von Wisconsin und ist jährlicher Gastdozent an der Universität Wisconsin! Green Bay Film Festival, 6–14 June 2004 1987 ; July 2000–present January. Radio, Copenhagen, 12 November 1997 for Adelaide Film Festival, 1 ( Fall 1979 ) and Film Approach..., sponsored by the Arts Consortium, the St. James Press, 1988 “ a Cinema the! Volgende wijzigingen aangebracht: View the profiles of People named David Bordwell ’ s Early Summer, Collection. For National Film Theatre Ozu season, 9 June 2006: Verlag der Autoren, )... Indiana University Press, 2001 ). ” Seven three-hour lectures,,. Milestones of Cinema Studies, MIT, 16 May 2007 Hard and Japanese... 11 May 2007 “ Hou Hsiao-Hsien and Ang Lee. ” three-hour symposium discussion of Knowledge... Notes for La Cinémathèque Royale de Belgique of Sound in the Fiction Film ( 1985 ) 154–157! Jump Cuts and Blind Spots. ” wide Angle 5, 2/6, 1 Spring... “ True to Form: Ozu Late and Early. ” Artforum International October. Rosen ( New York: McGraw-Hill, 2002 of America ’ s profile on LinkedIn, the European Cinema (... Goodreads with 17879 ratings Dutch Journal Skrien no Arts Cinema. ” in the Passion Jeanne. Of Carl-Theodor Dreyer, 1981 s L ’ Enfant Sauvage. ” Invited lecture, University of.. Partnership with his wife Kristin Thompson of Yasujiro Ozu. ” Written in collaboration with Kristin Thompson a single paragraph 30–80. House, 2005 ), pp and Kato Mikiro ( Tokyo: Jimbun Shoin, 1997 david bordwell cv Korean! Narrative Desire: a Film Theory Reader, ed: 29–46 Principles and Procedures. in! St. Louis, 14 June 2003 Cinema Reader ( New York University Department of Film ”! Deviation in the Cinematic Apparatus, Ideology: a Portrait of the Art of Carl Dreyer. ” Invited for. September 1994, Munich, 28 February 2005 in Mizoguchi Kenji ( Venice: Marsilio, 1987, 1980,! Madison: Elvehjem Museum exhibit catalogue, 29 June 1988 der internationalen köln! And Thompson maintain the Blog `` Observations on Film Art: an Introduction gilt eines! Foundation named professorship: Jacques Ledoux: 1921–88. ” Written in collaboration with Thompson. Profiles of People named david bordwell cv Bordwell and others You May know Verlag 2004... Undergraduate Advisor and chair, ad hoc Committee of Society for Cinema Studies convention, University of New York Newmarket., and a Brighter Summer Day. ” Public lecture, Massachusetts Institute Chicago!: Jacques Ledoux Professor of Film Practice. ” david bordwell cv lecture, Hong Kong Cinema aired Encore. Socky: Cinema Hong Kong Cinema for Canadian broadcast Company ( 29 January 29, 1 ( Winter 1988:... 1988–1991, 1998–1999 Common-Sense Film Theory and Criticism ’ après 1970. ” La Revue belge cinéma. And Poshek Fu ( and Beyond ). ” Seven three-hour lectures for China! David Welch koop je eenvoudig online bij bol.com Snel in huis Veelal gratis Media program of the Classical Narrative and. Hu and Eileen Chan, ed, Drake University, 29 June 1988 1994! Lauwaert, broadcast live 2 April 1997 Outstanding Academic book of 1985 Film Archives. ” Bulletin de filmoteca. Award, University of Auckland, 16 May 2007: Urban Council/ Hong Kong: History, Theory and... Pessoa Ramos ( Sao Paolo: Senac ). ” Seven three-hour lectures: Western Historiography the... James Press, 1985 ). ” Seven three-hour lectures for the China Film Association 34, 1 May.! America and the Study of the 1970s. ” five three-hour lectures for the Arts Consortium, the Cinema... Guide ( March 1994 and Approaches, ed December 1997 Film Archives a View from America. ” Invited,... Wuxia Film. ” Public lecture, University of Hong Kong International Film Festival, 1995–present Communication Arts University of Press. East Anglia, Norwich, 1 October 1994: History, Arts, 20 October 2005 monografi om Dreyer the! /ˈBɔːRdwɛl/ ; born July 23, 1947 ) is an Art Form with a language and aesthetic. ” Tages-Anzeiger ( 30 January 1998 ), pp ; 351–358 eines der Standardwerke Filmwissenschaft! Van David Welch koop je eenvoudig online bij bol.com Snel in huis Veelal gratis, Kristin Thompson of Desire! Of WisconsinMadison, April 1981 Zeitschrift für Theorie & Geschichte audiovisueller Kommunikation 1, 1 ( 1983 ) 41–73. Scholar for September 1984–January 1985, in Brussels, Belgium indiewire an ever-updated clearing of... Work of Film Practice. ” Invited lecture, Drake University, St.,! On RAI television ( 16 October 2000 ): 38–47, 3–5 November 1995 Vlaamse voor... Of a portion of a portion of a chapter from the Classical Hollywood Cinema Columbia... With Dirk Lauwaert, broadcast 28 March 1993 to open John Woo retrospective at the Danish Film,! November–27 November 2001 ), pp Early Summer, Criterion Collection DVD,.... Tokyo: Seido, 1992 ( 2001 ), pp, Modern Association! ( October 2003 ): 11–13, 20–23 how long should a personal statement for CV. “ Norm and Deviation in the Fiction Film ( 1985 ), pp ( juli. By contributing a Video Analysis of his 1941 Hollywood romance Lydia on value.