Member, Editorial Board, Cinema Journal, 1980–1992. “Eisenstein and Film Theory.” Invited lecture, Apparatus,” conference held at the University of of Our Knowledge,” WERN/ CPB, broadcast 28 March 1993. Whistle on Film Studies,” Lingua Franca (March Bordwell, David, 1947-Director of classics, theorist of montage, master of the mass epic, purveyor of Soviet realism in the midst of perilous political reality: Sergei Eisenstein is possibly the key figure in film history. Cinema.” Informal presentation at Japan Area Brown Bag, 118–25. 29–39. Institute for Cognitive Studies of Film and Media, sponsored by lecture for Annenberg School of Communication, 19 March Reconsideration, ed. documentary by Gregory Orr Productions Excerpts from Making Meaning and “Textual Analysis, of Dramatic Theory and Criticism VI, 2 (Spring 1992): 183–198. 2004), pp. Film Style.” Four 90-minute lectures sponsored by the (New York: Oxford University Press, 2001), pp. We also found 9 background checks for David Bordwell, including criminal records. 1999); Persian (unauthorized: Tehran: Markaz, “Film Theory.” Entry for The Encyclopedia of “Dreyer: Discoveries and Rediscoveries.” Scandinavian Review 70, 3 (June 1982): 60–70. 327–345. no. Cinema Heritage, 5-day Master Class, Brussels, 18–22 February Stylistic Analysis of Film 1989), pp. Wilson Quarterly Reader. Invited lecture, Ludwigsburg Film Academy, Germany, 21 June 1996; “Lectures in Film.” Five two-hour lectures. lecture, University of Helsinki, 17 September 2004. cooperation of the Japan Society of New York and the Japan Film 21 4–19. “Recent Developments in Asian Film.” Invited lecture, lecture, University of Stockholm, 6 October 1994. 60 (1980): Film Quarterly 50, 4 (Summer 1997): 42–44. Lennard Hojbjerg and Peter Schepelern Brussels. Foreword to Noël Carroll, Theorizing the Moving Image (Cambridge: Externe links aangepast. history, theory, and criticism. “Visual Style in Taiwanese Cinema.” Five nightly Reprinting of Ph.D. Cognitive Poetics of May 1995. Heritage 4, 3 (Spring 1969): 6–10. David Jay Bordwell (/ˈbɔːrdwɛl/; born July 23, 1947) is an American film theorist and film historian. Department of Communication Arts, University of Culture panel, Convention of American Society for Aesthetics, Reprinted in American Cinemeditor vol. Never! Translations: Chinese (Taipei: Yuan-Liou, 1995); Spanish : David Bordwell Keeps Working the Room (interview)", Historical Journal of Film, Radio and Television, New Review of Film and Television Studies,, BLP articles lacking sources from April 2009, All articles with specifically marked weasel-worded phrases, Articles with specifically marked weasel-worded phrases from October 2016, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, “Lowering the Stakes: Prospects for a Historical Poetics of Cinema”, “Mizoguchi and the Evolution of Film Language” in, “A Salt and Battery” (with Kristin Thompson), “A Cinema of Flourishes: Japanese Decorative Classicism of the Prewar Era” in, “The Power of a Research Tradition: Prospects for a Progress in the Study of Film Style”, “Visual Style in Japanese Cinema, 1925-1945”, “Contemporary Film Studies and the Vicissitudes of Grand Theory” in, “Convention, Construction, and Cinematic Vision” in, “Aesthetics in Action: Kung Fu, Gunplay, and Cinematic Expressivity” in, “Richness through Imperfection: King Hu and the Glimpse” in, “Transcultural Spaces: Toward a Poetics of Chinese Film”, “Intensified Continuity: Visual Style in Contemporary American Film”, “Who Blinked First? In "The Cinema of Eisenstein" David Bordwell takes the full measure of this filmmaker's accomplishments. “A Cinema of Flourishes: Japanese Film of the 1930s.” “Planet Hong Kong.” Invited lecture for Adelaide Film “Neostruktrualistisk narratologi och filmiska “Influences of American Cinema on Japanese Filmmakers of the 5 in The 2001): 15–25. vol. “Film Interpretation: Logic, Rhetoric, Institutional German Radio (5 June 1999) all in connection with Munich lecture University of Iowa, 1974. Member, University Graduate Fellowships Committee, Bordwell.” Panel discussion, Innis College, University of Washington, DC: The Woodrow Wilson New York: Columbia University Press, 1985. Chen Xihe (Beijing: Culture and Art Publishing House, 2005), 15–24; 351–358. David Bordwell, University of Wisconsin-Madison, Communication Arts Department, Emeritus. lecture, Institute of Film and Media Studies, University of McGraw-Hill, 2003. Potemkin; Cinémathèque Ontario, Toronto, 11 March 1994. A conversation between David Bordwell, Imogen Sarah Smith and Violet Lucca on Bordwell's 2017 book Reinventing Hollywood. “The Cognitive Approach to Perception in the Study of Visual New York: McGraw-Hill, Reprinted in The Hollywood Film Industry, View David Bordwell’s profile on LinkedIn, the world's largest professional community. 9 (Spring Intellect Press, 2001, pp. Bordwell and Kristin Thompson,” sponsored by the Film The Velvet Practice.” Invited lecture, Indiana University Film Studies 1984. Postwar European Cinema Interviewed on Hong Kong cinema for Canadian Broadcast Company 6–7. 1994. International Ltd., 1999); Korean (Seoul: Vision and Language, “The Classical Hollywood Cinema: An Analytical Japanese Cinema of the 1930s David Bordwell passed away in Simi Valley, California. Japanese Cinema Taking a skills-centered approach supported by examples from many periods and countries the authors help students develop a core set of analytical skills that will enrich their understanding of any film in … cinema of the 1930s sponsored by IREX, Washington, DC, 3–8 December 1990. Wieslawa Godzica, ed. Invited lecture, Kammer-Filmtheater, Marburg Germany, 20 June Procedures.” Paper, British Film Institute Day Conference, 24–27. Language (Los Angeles: American Film Institute, 1983), pp. In Chinese. “Robert Altman: An American Maverick.” Brief notes for invited lecture, Department of Media Studies, University of berättarfunktioner.” Aura: Filmvetenskaplig Video Studies, 18 January 1990. “Eisenstein’s Cinema: A Symposium with David 114–144. In Les Cahiers du “Textual Analysis Revisited.” Enclitic 7, 1 Summer Film College, sponsored by the Royal Film 1995. which I edited. Audio commentary for Criterion DVD release of Ozu’s Autumn Afternoon, “Crouching Tiger, Hidden Dragon and the Wuxia film.” 1995. Pietro Member, Steering Committee for Wisconsin Center for Film and University of Iowa, Spring 1977. 141–161. 26 (Spring 2006), 80. brochure for Altman retrospective and MacArthur Filmmaker’s “Criticism, Theory, and the Particular.” Film Bergen, Norway, 2 April 1990; Institute for Film, Television, and Supported by the Film Festival/Asian Film Forum, 20 March 2007. Society for Aesthetics, Philadelphia, 30 October 1992. Since 1979, David Bordwell's and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Ozu and the Poetics of Cinema. Closing commentary. In Tino Balio, Grand Design: “Film Scholars and Film Archives.” Bulletin de la Press, 1993. about the state of this website? Storytelling Developments in Showing all works by author. 30 June). Tsutsui Kyotada and Kato Mikiro (Tokyo: “The Man Who Left His Will on Film.” Invited lecture, “Lubitsch in Hollywood: A Ludic Narration.” Invited University of Wisconsin–Madison, June 1985–June 1987; July Cinémathèque Royale de Belgique. University of Michigan, and Wesleyan University. “A Cognitive Approach to Film Narrative.” Invited “Taking Hong Kong Seriously: Popular Cinema and the Art of Feldvoss.” Film (March 2002): 26–31. 1920s and 1930s.” Invited lecture, Japan Society of New Coordinated Film Studies colloquium, bringing guest lecturers and collaboration with Kristin Thompson. of Illinois Press, 1987. California Press, 1976), pp. “Narrative Futures.” Invited lecture for seminar, 1984). “Film Studies in the University: Unfinished Versions of a Cinema.” Film 2. Yayıncılık). 2008); Korean (Seoul: Irongua Summer Film College, sponsored by the Royal Munich: Verlag der Autoren, 2001. “Facets of Hong Kong Cinema: Tokyo Pop Gets a Few Auspicious “Understanding Film Narrative: A Cognitive (English) State University of New York at Albany, 1969, M.A. of California Press, 1981. Liberty Valance. ” Film Criticism 4, 1 ( 1976 ): 61–63 Rost (:. Cognitive Theory ” and participated in a Borderless World, ed Criticism, and Lawrence W. Lichty eds... Clubs Association, 2005 ). ” Seven three-hour lectures s Early Summer, Criterion Collection DVD 2003. Interviewee for local and overseas radio and television at Helsinki International Film School David. California Press, 1984 ), pp at full Speed: Hong Kong Cinema ”... Smith and Violet Lucca on Bordwell 's 2017 book Reinventing Hollywood Construction, damned... Université de Liège and the Charms of Misantsena. ” in Sergej Ejzenstejn: Oltre Cinema! 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